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![]() Weil sie Johnnie nicht traut (er ist zu gut), heuert sich gleich noch einen Mafioso Marcello Santos (J. So beschließt sie ihren Freund Johnnie Farragut (Harry Dean Stanton) zu beauftragen, das Paar zu finden und ihre Tochter "zu retten". Sie kommt aus einer Umgebung, in der Sailor höchstens als Arbeiter bestehen kann (das hat er auch gemacht). Für sie ist Sailor ein Taugenichts, ein Mann, der schlechten Einfluss auf ihre Tochter hat. Nach der Entlassung besucht er seine Freundin, Lula Pace (Laura Dern), ein Mädchen, dessen Mutter, Marietta Fortune (Diane Ladd) strikt gegen die Beziehung ist. Die Folgen sind, er muß für einige Monate ins Gefängnis. Sailor Ripley (Nicolas Cage) ist ein junger Mann, der nicht zimperlich ist, wenn es um die Handgreiflichkeit geht. Dafür kann Lynch nicht, da sollte man mit den Herstellern ein Wörtchen reden, oder gar mehrere!ĭER FILM: wie kann man einen Film weitermachen, dessen Anfang so schrecklich ist? Und ihn dann langsam, sehr langsam zu einer modernen Märchen stilisieren? Lynch schafft das. Die Bewertungen gehen von 5 (nicht oft) bis 2 Punkte, wobei ich die technische Qualität nie bewerte. Vielleicht sind wir deswegen so streng, wenn es um seine Werke geht. Die Musik, die Szenen, die Dialoge - ALLES MUß STIMMEN. ![]() Lynch macht keine Arbeit, die "nur einen Film, eine Story erzählt". Wenn man nach Jahren den Film noch einmal sieht, merkt man der Aufwand, den ER in die Geschichte mitgebracht/mitgebaut hat. Er nahm auch einige Schauspieler mit, das Team war da, was für den Perfektionisten LYNCH gerade gut genug war. Der Meister, der für mich zu weinige Filme macht(e), hat nach Blue Velvet (1986/87) und zeitgleich mit dem Beginn des Twin Peaks 1990 "schnell" noch ein(en) Roadmovie gemacht. PROLOG: ich glaube, kein anderer Film von David Lynch wurde so viel diskutiert. Wild at Heart ( 1990 ) ( David Lynch's Wild at Heart ) SCREENED/AWARDED AT: BAFTA Awards, Cannes Film Festival, Fantasporto Awards, Golden Globes, Oscar Academy Awards. Along the way, Sailor and Lula have a lot of sex, share their pasts, share their respective obsessions for Elvis and The Wizard of Oz, and meet a lot of bizarre characters, including a seedy ex-marine (Willem Dafoe) who persuades Sailor to participate in a bank robbery. ![]() Just after Sailor is released from prison, where he was jailed for brutally killing one of Marietta's thugs, he and Lula take off on a wild cross-country trip, pursued by his parole officer, her mother, criminals, bounty hunters, and detectives. Cage's Sailor Ripley is a violent ex-convict with an Elvis Presley fixation who falls in love with Dern's Lula Pace Fortune, the daughter of a rich, but mentally unstable, Southern belle named Marietta (Diane Ladd, Dern's real-life mother). Germany released, PAL/Region 2.4 DVD: LANGUAGES: English ( Dolby Digital 5.1 ), French ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), Arabic ( Subtitles ), Danish ( Subtitles ), Dutch ( Subtitles ), English ( Subtitles ), Finnish ( Subtitles ), French ( Subtitles ), German ( Subtitles ), Greek ( Subtitles ), Hebrew ( Subtitles ), Italian ( Subtitles ), Norwegian ( Subtitles ), Portuguese ( Subtitles ), Russian ( Subtitles ), Spanish ( Subtitles ), Swedish ( Subtitles ), Turkish ( Subtitles ), ANAMORPHIC WIDESCREEN (2.35:1), SPECIAL FEATURES: Anamorphic Widescreen, Interactive Menu, Scene Access, SYNOPSIS: Nicolas Cage and Laura Dern play a pair of lovers on the run in David Lynch's surrealist road movie Wild at Heart. "Are you just looking at the body of health or are you talking about the spiritual and physical well-being in health? I know that's a question many of us are asking. She knows virtual learning is difficult for teachers and students because she has taught virtually and feels the "back and forth" caused by being in school for a time then being pulled out to learn remotely is hard for kids. Hicken said she had pulled her children out of school - not because she was worried about the coronavirus which she said has a "99.998 percent survival rate for kids under 20" - but because she worries about their "psychological well-being." Hicken said she decided to visit the county commission again after visiting by email with Abilene City Commissioner Trevor Witt who suggested that people with constructive ideas should talk to elected officials. She also questioned whether the county would require residents to be inoculated once a vaccine is developed.Īfter about 25 minutes of commentary and discussion, Hicken said she was relieved to learn county leaders are taking social, emotional and mental health factors into account and heard the county will not require vaccinations and, moreover, does not have the authority to do so. When she attended Thursday's commission meeting Hicken asked them if they were considering people's social, emotional and mental health when making COVID-19 related decisions or if they were only considering "physical" health. Laura Kelly's mask mandate by opting out - which they did not do. 22 county commission meeting where members faced questions from two county residents regarding policy during the COVID-19 pandemic.īack in July, rural Abilene resident Kylie Hicken asked Dickinson County Commissioners to reconsider Gov. 27-Note: This is the second of a two-part story regarding the Oct. The last two spots for stories with the most reach were filled by, "Greyhound entries increase for NGA Fall Meet, special stake returns in form of Abilene," also written by Ed Boice which reached 3,900 people, and, "Local teacher wins award for career in catholic schools," written by Lydia Kautz, reaching around 3,600 people.Add To Favorites County questioned on emotional, mental health concerns The tertiary story for having the most reach was, "Sharing Shelves Free Store opens this Tuesday," written by Ed Boice reaching around 4,400 people. The next story with the most reach was, "Parents and Police Chief address teenagers using inappropriate language at Eisenhower Park," which reached around 4,800 people. The story with the most reach in 2022 was, "Greyhound Hall of Fame adds new dog, remains open to visitors," reaching around 5,300 people. The final category recapped was the reach that the story had basically, how many people saw the story in some sort of capacity. The final two spots were occupied by, "Longtime Abilene teacher will retire after 33 years in the classroom," written by Lydia Kautz with 36 comments, and, "Parents and Police Chief address teenagers using inappropriate language at Eisenhower Park," written by Ed Boice with 35 comments. The third most commented on story was, "Senior Spotlight: Lyndsey Buechman finishes historic Abilene High School wrestling career," written by Sports Editor Ron Preston with 37 comments. Taking the top spot with 68 comments was, "Joe Snuffy's owner looking to sell, the restaurant will stay open." Falling in behind that story in second place was, "Former child actor has altercation with security guard at Eisenhower Presidential Museum," written by Lydia Kautz with 44 comments. ![]() The next category under review is how many comments the story gained while being posted. Rounding out the top five for the Reflector-Chronicle's most popular stories by likes and reactions are, "Abilene High School elite choir heading to New York March 18," also written by Ed Boice with 301 likes and, "Local teacher wins award for career in catholic schools," written by Lydia Kautz with 292 likes. Coming in third was, "Joe Snuffy's owner looking to sell, the restaurant will stay open," written by Editor Ed Boice with 348 likes. After that came, "Greyhound Hall of Fame adds new dog, remains open to visitors," written by former editor Lydia Kautz with 356 likes. Starting off with the likes and reactions category, Reflector-Chronicle's most liked story of 2022 was, "Bench placed at Eisenhower Park Bandshell in memory of Disco Bob Martell," written by Reporter Jayshaun Jones, with 374 likes and reactions. The categories used to determine the most popular stories are likes and reactions, comments and reaches using Facebook Meta Business Suite to gather the statistics. 4-In this story, the Abilene Reflector-Chronicle glances back on its 2022, and reviews its most popular stories of the year in three categories. Brevity is not only kind to the solver but to the editor as well, with line length and spacing at issue in both print and electronic formats. Extraneous ideas can work against clarity and brevity. You are telling a little story, in some ways, but try to stick to essential elements. Go for streamlined elegance in both wording and concept. Rule of thumb: You want your sense of fun to emerge, but in a tidy package. By the time you get to Saturday, it might feel as if you are in a battle of wits with the devil himself, and be careful that you don’t get your eyebrows singed!īut I digress … this puzzle’s theme is clever but straightforward. Robyn, what is in the forefront of your mind when you sit down to clue?Įveryone loves a good snuggle, but there’s not much challenge there. Editors and solvers will remember your name if you can consistently produce fresh and detail-oriented sets of clues. Robyn and I are here to encourage you to keep inspiration flowing all the way to a finished puzzle manuscript. WILBER: For some, cluing can feel anticlimactic after the euphoria of wrestling all those letters into submission … er, position. The other side of the coin is learning how the clue vibe differs at various publishing venues, and then it’s a matter of adapting your style to each “editorial happy place.” How one clues a New York Times puzzle, for example, may be very different from how one clues a puzzle for USA Today or the American Values Club crossword. Of course, your choices will be inherently different from each of our choices, and that’s how your particular aesthetic will shine through to the solver. Many things contribute to your cluing style: The degree to which you balance basic definition clues, wordplay-based clues, general knowledge clues, in addition to sprinkling in humor and slang. In Part 3, Paolo Pasco mentioned that the grid fill can be a window into your personality as a constructor. ![]() ![]() We have great material to work with and we’re excited to get started! ROBYN WEINTRAUB and BRAD WILBER: Well, we’re at an exciting part of this Wordplay series: writing the clues. In the daily Wordplay column and other articles, clues have historically been presented in quotation marks.Īnd we’re not done yet: Part 5, running in August, will wrap things up with a list of the resources mentioned in this series, as well as a look at the puzzle by the crossword editors Will Shortz and Joel Fagliano, who will give us insight into how they take a submitted puzzle from raw manuscript to published puzzle. Wilber place their clues in brackets because that’s how clues are often presented to editors in queries or when discussing them with other constructors. ![]() The article would go on forever if they took us through the process for every single clue in the puzzle, so they will talk about a selection of clues, starting with the theme entries, and the rest of the puzzle clues - as well as the puzzle itself for you to solve - are at the end. DEB AMLEN: The creation of our crossword puzzle is in the homestretch! Thanks to the hard work of the constructors who are making the time to pull back the curtain on this art form, we now have a theme ( Part 1), a grid ( Part 2) and a whole lot of letters for solvers to fill into the empty squares ( Part 3).īut you can’t fill anything in without clues, can you? Robyn Weintraub and Brad Wilber, two well-known New York Times Crossword constructors, take us through that final part of the process in Part 4. |
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